GPW Ghost Clip plugin interface: the waveform screen clipping at the ceiling, CLIPPING at −7.6 dB, the CLASSIC clipper, DENSITY and SILK knobs, input and output meters with LUFS
GPW Plugins · Mastering

GPW Ghost Clip.Loud you can see.

A converter-style mastering clipper. Scroll to push the mix into the ceiling.

Push it

Hit the ceiling

Everything above the CEILING gets clipped. The red is exactly what the clipper takes away.

See every dB

Clipping you can read

How many dB are clipped right now, and the minute:second where the song clips hardest.

Around the screen

Three clippers, density, silk

CLASSIC, MODERN or HARD, loudness without attack or release, highs that soften at the ceiling, and a sidechain band that never touches the sub.

VST3 · Windows

Loud you can see

Free demo download; license US$ 19, updates free forever.

Promotional price59.00
19.00USD
Buy US$ 19.00
Scroll

Watch it in action.

Two and a half minutes: the three clippers, the ceiling, DENSITY and SILK, the sidechain band and the meters. Every sound the music makes is the plugin's own output.

Built like hardware
Clipper

Classic, Modern, Hard

CLASSIC has a soft knee and converter-style overload, MODERN is a hard clip a hair (about 0.09 dB) below HARD, and HARD stays clean right up to the ceiling. The ceiling holds the sample peaks of the clipped signal.

Density

Loud, peaks untouched

No attack, no release: the quiet parts come up and the peaks stay where they are. Up to +2.5 dB in MODERN, up to +6 dB in CLASSIC. UNITY judges it at the same loudness.

Silk & Tone

No harsh bite

As the signal reaches the ceiling, SILK softens the highs above 3 kHz by up to about 4 dB. TONE adds a subtle high-end contour: FLAT, CLASSIC or MODERN.

Sidechain

Clip the punch, not the sub

Pick which frequencies go into the clipper with LOW CUT and HIGH CUT, drawn over a live spectrum. LISTEN plays only the band being clipped.

Plugin 04

GPW Ghost ClipEverything on screen.

Everything you need to judge the clipping is in front of you: how many dB are being clipped right now, where the song clips hardest, what the clipper removed and short-term loudness in and out.

VST3Windows · Standalone
US$ 19Free demo
3 clippers15 presets
Up to 16xOversampling
  • CLIP

    Ceiling

    From −36 to 0 dB, with anti-overshoot: it holds the sample peaks of the clipped (wet) signal, and CLIP GUARD holds it even with the clipper off. DRY, the frequencies outside the sidechain band and the OUTPUT trim are added after it.

    −36 to 0 dB
  • CLIP

    Clipper

    CLASSIC (soft knee, converter-style overload), MODERN (a hard clip a hair, about 0.09 dB, below HARD) or HARD (clean up to the ceiling), with its own power switch.

    3 modes
  • CLIP

    Density

    Loudness without attack or release. The quiet parts come up, the peaks stay. UNITY compares at the same loudness.

    Up to +6 dB
  • CLIP

    Silk

    As the signal reaches the ceiling, the highs above 3 kHz soften by up to about 4 dB.

    Above 3 kHz
  • CLIP

    Tone

    A subtle high-end contour before the clipper: FLAT, CLASSIC or MODERN.

    3 contours
  • BAND

    Sidechain

    Only the band between LOW CUT and HIGH CUT goes into the clipper, drawn over a live spectrum. LISTEN solos it.

    Low / high cut
  • METER

    Clipping meter

    A live meter in the screen and the CLIPPING readout show how many dB are being clipped right now, held for a second.

    Live dB
  • METER

    Clip clock

    The largest clip in the song and the minute:second where it happened, so you can go straight there and listen.

    Max · min:sec
  • METER

    Waveform screen

    What the clipper removed (red), the output, and what DENSITY added, scrolling in real time.

    Real time
  • METER

    Meters & LUFS

    Input and output meters with peak and RMS, plus short-term LUFS in and out.

    Peak · RMS · LUFS
  • MIX

    Mixer

    A true parallel mixer: WET and DRY faders, linked or independent, DELTA to hear only what changed, and mutes.

    Wet · dry · delta
  • MIX

    Trims

    Input and output trims that can be linked. Shift-drag sets an offset between them.

    ±12 dB
  • MORE

    Oversampling

    4x, 8x or 16x at 44.1/48 kHz (halved at 88.2/96 kHz, quartered at 176.4 kHz and up), in linear or minimum phase. BOUNCE has its own setting for offline renders: set it to the same as OVERSAMPLING and a bounce matches playback.

    4x · 8x · 16x
  • MORE

    Presets

    15 factory presets (mastering, mix bus, drums, vocals, creative) plus your own, a default-preset star and A/B compare.

    15 + yours
  1. Push it in
  2. Set the ceiling
  3. Add DENSITY

Up close

Backlit mode windows, a screen that shows what was clipped, and a sidechain EQ drawn over the spectrum.

GPW Ghost Clip waveform screen with the live CLIP meter
The screen: what the clipper removed, the output and the live CLIP meter.
GPW Ghost Clip sidechain EQ with LOW CUT at 200 Hz over the spectrum
SIDECHAIN: LOW CUT at 200 Hz, so the sub is never clipped.
GPW Ghost Clip backlit mode screens, CLIP CLOCK and the input meter with the CEILING
Mode windows, CLIP CLOCK and the input with its CEILING.

GPW Ghost Clip FAQ

Straight answers about what the plugin does and how to use it.

What is GPW Ghost Clip?

GPW Ghost Clip is a converter-style mastering clipper (VST3 for Windows) made by Ghost Producer World. It pushes your mix into one of three clippers (Classic, Modern, Hard), then adds density, top-end smoothing and a sidechain band, and shows you exactly how much it is clipping.

Which clipper should I pick?

CLASSIC has a soft knee and converter-style overload, MODERN is a hard clip a hair (about 0.09 dB) below HARD, and HARD stays clean right up to the ceiling. Set the CEILING, push the input until the CLIPPING readout shows a dB or two, and switch between them to hear which suits the track.

How do I keep the sub from being clipped?

Open SIDECHAIN and drag LOW CUT up, for example to 200 Hz. Only the band between LOW CUT and HIGH CUT goes into the clipper; the rest passes untouched, so the punch gets clipped and the sub stays clean. LISTEN plays only the band being clipped.

What do DENSITY and SILK do?

DENSITY adds loudness without attack or release: the quiet parts come up and the peaks stay where they are (up to +2.5 dB in MODERN, up to +6 dB in CLASSIC). UNITY lets you judge it at the same loudness. SILK softens the highs above 3 kHz by up to about 4 dB as the signal reaches the ceiling, which takes the harsh bite out of loud moments.

Does it add latency?

About 398 samples at 48 kHz with the default oversampling (High, 4x). The plugin reports it to the DAW, so delay compensation is automatic. Oversampling is 4x, 8x or 16x at 44.1/48 kHz (halved at 88.2/96 kHz, quartered at 176.4 kHz and up), in linear or minimum phase. BOUNCE sets its own oversampling for offline renders, so a bounce can differ from playback; set BOUNCE to the same as OVERSAMPLING and they match.

How much does GPW Ghost Clip cost?

US$ 19 for a license for one person, on as many of your computers as you like, and every update is free. The download itself is free: without a license the plugin runs in demo mode, with a short dropout of the sound every 45 seconds. Buy a license on this page, paste the key in the plugin (BUY / ACTIVATE, in its header) and the dropouts are gone.

GPW Ghost Clip is out.

Download it free and try it in demo mode. A license for US$ 19 removes the dropouts, and every update is free.

macOS version: planned

GPW Ghost Clip runs on Windows for now; a Mac version is planned. To get an email as soon as the Mac version launches, tick the box below and click “Notify me for Mac”.

New installer, extra warnings: our installers are not code-signed yet, so your browser and Windows don't recognize them and may warn you. In Chrome, if it says the file "is not commonly downloaded", choose Download suspicious file (or Keep). When you open it, if Windows shows "Windows protected your PC", click More info, then Run anyway.